Reviews & Digital Right Here Waiting Sheet Music Details Additional Information Additional Information Composer name N/A Vocal range N/A Original published key F SKU 187661 Release date Aug 11, 2017 Last Updated Jan 14, 2020 Genre Pop Arrangement / Instruments Alto Sax Solo Arrangement Code ASXSOL Number of pages 1 Price $ Reviews * Click playback or notes icon at the bottom of the interactive viewer and check "Right Here Waiting" playback & transpose functionality prior to purchase. For clarification contact our support. Richard Marx Right Here Waiting sheet music arranged for Alto Sax Solo and includes 1 pages. The style of the score is Love. Catalog SKU number of the notation is 187661. The arrangement code for the composition is ASXSOL. Minimum required purchase quantity for these notes is 1.* Please check if transposition is possible before your complete your purchase. Digital download printable PDF. This score was originally published in the key of F. Composition was first released on Friday 11th August, 2017 and was last updated on Tuesday 14th January, 2020. This week we are giving away Michael Buble 'It's a Wonderful Day' score completely free. After you complete your order, you will receive an order confirmation e-mail where a download link will be presented for you to obtain the notes. In order to transpose click the "notes" icon at the bottom of the viewer. If transposition is available, then various semitones transposition options will appear. If not, the notes icon will remain grayed. Most of our scores are traponsosable, but not all of them so we strongly advise that you check this prior to making your online purchase. You can do this by checking the bottom of the viewer where a "notes" icon is presented. If it is completely white simply click on it and the following options will appear Original, 1 Semitione, 2 Semitnoes, 3 Semitones, -1 Semitone, -2 Semitones, -3 Semitones. This means if the composers Words and Music by RICHARD MARX started the song in original key of the score is C, 1 Semitone means transposition into C. If you selected -1 Semitone for score originally in C, transposition into B would be made. If your desired notes are transposable, you will be able to transpose them after purchase. Be careful to transpose first then print or save as PDF. When this song was released on 08/11/2017 it was originally published in the key of F. * Not all our sheet music are transposable. In order to check if 'Right Here Waiting' can be transposed to various keys, check "notes" icon at the bottom of viewer as shown in the picture below. Simply click the icon and if further key options appear then apperantly this sheet music is transposable. Also, sadly not all music notes are playable. If "play" button icon is greye unfortunately this score does not contain playback functionality. ** Single print order can either print or save as PDF. *** Selected by our editorial team.

^{p>SUMMARY:Our guest on this episode of Songcraft is Richard Marx, who is best known for writing and recording hits such as “Don’t Mean Nothing,” “Hold on to the Nights” and “Right Here Waiting.” But that’s only part of the story. As a songwriter, Marx has written #1 hits for other artists, ranging from Kenny Rogers to Josh Groban to NSYNC to Keith Urban. He’s sold more} “Right Here Waiting” was an international smash hit. It spent 3 weeks at 1 in the US and six weeks atop the Adult Contemporary chart as well and was certified platinum within four months. It also topped the charts in Australia & New Zealand, reached 2 in the UK and reached the top 5 in five more countries. Marx was inspired to write it while away from his wife touring for three straight months while she was in Africa on location for a film. He originally intended to keep the song between his wife and himself, but later changed his mind. “Right Here Waiting” is Marx’s third and final as of 2018 chart-topper in the US. It was also Marx’s sixth top 5 hit in a row in the US, followed by “Angelia” which became his seventh and as of 2018 his last single to reach the top 5. In 2018, Marx used “Right Here Waiting” to take a jab at President Donald Trump after he said in a press conference “I don’t see any reason why it would be” that Russia that interfered in the US election, then backtracked the following day explaining he misspoke’, and meant to say, “I don’t see any reason why it wouldn’t be Russia”. Marx then mocked Trump by tweeting, “I misspoke. I meant to say I wouldn’t’ be right here waiting for you.” The tweet has since gotten over 250,000 likes 70,000 retweets. Ive Been Waiting For You (from Mamma Mia! Here We Go Again) ABBA. Piano, Vocal & Guitar Chords (Right-Hand Melody) $4.99. Right Here Waiting (arr. Phillip Keveren) Richard Marx. Piano Solo. $4.99. Movies Preview 56 Views DOWNLOAD OPTIONS IN COLLECTIONS Uploaded by THE DIGITALIZER on June 5, 2021 SIMILAR ITEMS based on metadata Choisissezun passage spécifique d'un morceau et entraînez-le en boucle. Imprimez toutes vos partitions, avec ou sans vos annotations. Jouez accompagné! Des milliers de partitions avec

35 slows cultes pour votre sélection nostalgique. Les années 80, des années 80 hautes en couleurs … Un monde nouveau semble s’ouvrir sur une jeunesse promise à une paix durable ainsi qu’à un avenir aussi innovant que prospère. Même les nuages radioactifs de Tchernobyl ne sauraient venir perturber un état d’insouciance collectif, entretenu par des médias huppés et fières de décliner le capitalisme sous toutes ses formes… Le sentiment amoureux, largement exalté au cinéma, n’y échappe pas. En effet des centaines de chansons, aussi glamours que sirupeuses, connaissent alors un succès populaire et commercial relativement comparable aux films dont elle servent la bande originale. Un business lucratif du slow, en somme, qui n’exclut pas des productions de qualité, mais qui constituera le socle d’une mode très ancrée au cours de cette décennie . Aussi, le slow Année 80 fait, entre autres, les belles heures des discothèques, qui voient naître des couples aujourd’hui nostalgiques d’une pratique qui n’existe guère plus le quart d’heure américain. Explorons ensemble ces balades qui ont marqué cette époque finalement très sentimentale aussi… Bonne re découverte! Dernière mise à jour 14/09/21 A ► E BARBRA STREISAND – Memory 01 Composée en 1981 pour la comédie musicale britannique “Cats”, cette chanson fut d’abord interprétée par Elaine Paige avant d’être reprise avec succès par l’Américaine aux plus de 150 millions de disques vendus à ce jour. BERLIN – Take My Breath Away 02 Contrairement à ce pourrait se laisser supposer, voici un groupe californien et non allemand qui a signé , pour la bande originale du film “Top Gun”, le Slow Année 80 n°1 à travers le monde! CHRIS DE BURGH – Lady In Red 03 C’est grâce à sa femme Diana que Chris De Burgh nous a livré en 1986 ce titre mythique, qui existe également en version espagnole “La Dama de Aye”. CHRIS ISAAK – Wicked Games 04 … CYNDI LAUPER – Time After Time 05 Chanteuse probablement la plus emblématique des années 80 tant elle leur a fourni des tubes à la pelle. DEE DEE BRIDGEWATER & RAY CHARLES – Precious Thing 06 Somme toute deux artistes immenses de par leur talent, jamais avares en matière d’émotion à transmettre. DEMIS ROUSSOS – Quand Je T’aime 07 Les célèbres “Inconnus” disait de lui qu’il était l’animal se rapprochant le plus de l’homme. Un humour qui trahissait cette réalité pourtant improbable qu’il ne laissait jamais indifférent. Le caftan, l’aura, ainsi qu’une voix si singulière édifiaient Demis Roussos en sex-symbole viril pour certain mais has-been pour d’autres. Plus de 30 ans plus tard, cette chanson reste indéfectiblement associée à son interprète et s’inscrit toujours dans la mémoire collective. ELTON JOHN – Sacrifice 08 A savoir que cette chanson d’amour, au thème profond, interpelle sur la réalité de vie du couple adulte face à la routine et au temps qui passe. EUROPE – Carrie 09 Tout en reconnaissant que nous sommes loin d’un chef d’œuvre, cette ballade appartient au top 10 de celles qui ont fait le succès populaire de la scène Hard Rock. F ► J FOREIGNER – I Want To Know What Love Is 10 C’est ainsi que les rockers ont eu la brillante idée de réunir une chorale de gospel autour d’un titre qui a marqué l’année 1986. FRANKIE GOES TO HOLLYWOOD – The Power Of Love 11 L’existence de fut brève mais le message de cet opus demeure aussi intemporel qu’universel Rien n’est plus important que l’Amour. FRANCOIS FELDMAN – Le Mal De Toi 12 François Feldman était le chanteur n°1 de la fin des années 80. Ses tubes dansant comme ses slows étaient joués en discothèque. Charmeur mais discret, le succès de ses ventes ne coïncidera que très rarement avec la reconnaissance de ses pairs. GEORGE BENSON – Nothing’s Gonna Change My Love For You 13 En admettant que vous puissiez ne pas aimer cette interprétation magistrale, celle de Glenn Medeiros vaudra peut être un petit détour… GEORGE MICHAEL – One More Try 14 Dans la mesure où le regretté George Michael n’avait pas encore fait de “coming-out”, il est à se demander s’il exprimait ici son hésitation quant à son orientation sexuelle, ou si ce sont ses déceptions passées qui le dissuadaient de s’engager dans une nouvelle aventure amoureuse. HAZEL O’CONNOR – Will You 15 Une ballade tragique et sirupeuse, qui s’inscrit parmi celles que le temps écarte, mais que nous pouvions largement considérer comme un titre incontournable dès sa sortie en 1981. JENNIFER RUSH – The Power Of Love 16 Au cas où, il y a aussi la reprise de Celine Dion parue en 1993 … JEVETTA STEELE – Calling you 17 “Calling You”, appartenant à la du film “Bagdad Café”, est probablement la chanson la plus reprise par les chanteuses en devenir tant elle exige une maîtrise vocale irréprochable. Un bijou! JOE COCKER & JENNIFER WARNES – Up Where We Belong 18 Officier et Gentleman est le film avec avec Richard Gere qui propulsa cette ballade pop au sommet des charts en 1982. JOHN LENNON – Woman 19 Une ode écrite par John Lennon à son épouse Yoko Ono mais aussi aux femmes de manière générale. Lennon dira que cette chanson se voulait être la version adulte de la chanson “Girl” chantée plus tôt avec les Beatles. LA chanson ne sortira qu’en 1981, soit un an après l’assassinat de son génial auteur. K ► P LIONEL RICHIE & DIANA ROSS – My Endless Love 20 Au contraire du film du même nom, traduit en français par “Un amour infini” et marquant le premier grand rôle de Tom Cruise, cette chanson fut un succès à sa sortir en 1981. MADONNA – Crazy for You 21 Utilisée en 1985 pour la bande originale du film Vision Quest, Crazy for You est la première ballade enregistrée par Madonna. Une interprétation vocale assez remarquable, dissimulant difficilement les double-sens comme le caractère sexuel des paroles. Une chanson d’amour sophistiquée, également impudente, qui démontrera que la madone était parfaitement capable d’exprimer une œuvre profonde. MICHAEL JACKSON – I Just Can’t Stop Loving You 22 Le roi de la pop rêvait d’un duo avec Barbra Streisand ou Whitney Houston pour cette ballade sage et amoureuse. Il se contentera de Siedah Garrett, faute de mieux. Cela n’empêchera pas le triomphe, qui inaugurera la sortie du non moins mythique album “Bad”. Aucune playlist Slow Année 80 ne saurait occulter ce fruit d’un travail exigeant. PATRICK SWAYZE – She’s Like The Wind 23 Encore une chanson extraite de la bande originale d’un film. En l’occurence de Dirty Dancing. Une ballade rythmée, qui remporte toujours un vif intérêt sur les pistes de danse. PHIL COLLINS – Against All Odds 24 Un Film “Contre toute attente” permettra, une fois de plus, la naissance d’un hymne pour les cœurs brisés. Un slow fatal repris maintes et maintes fois depuis. PRINCE – Purple Rain 25 Avec Purple Rain, le Kid de Minneapolis va connaître son instant de grâce. Cet instant où l’essence même de sa musique nourrie de Rock n’ roll, de pop, de musique gospel, voire de soul/funk l’amènera à produire huit minutes mélodiques qui flirtent avec la perfection. Purple Rain est une œuvre divine, capable de vous bercer dans une intimité quasi religieuse, tout en étant capable de transcender un stade entier. Une ballade rock qui tient définitivement sa place dans le panthéon du rock. RENAUD – Mistral Gagnant 26 Probablement dans le top 5 des chansons préférées des français, cette chanson très personnelle de Renaud évoque avec mélancolie le temps qui passe et qui ne reviendra plus. Confiserie désormais disparue de la vente, le Mistral gagnant renvoie à l’insouciance de l’enfance. RICHARD MARX – Right Here Waiting 27 Le slow Année 80 typique. Celui dont le monde connaît l’air par cœur, tout en ignorant le nom de son interprète et qui, il est vrai, a davantage contribuer à faire briller d’autres artistes de renom. RICHARD SANDERSON – Reality 28 La musique de la “Boum”, film culte des années 80 qui lancera davantage la carrière de Sophie Marceau que celle d’un Sanderson tombé dans l’oubli. S ► Z SCORPIONS – Still Loving You 29 La plus célèbre des ballades rock est certainement allemande et identifiable dès ses première notes. Elle se nomme “Still Loving You” une déclaration d’amour chantée à une compagne désabusée, qui semble être partie. D’aucuns y voient également la rupture entre les blocs Est et Ouest allemands, séparés par le mur de Berlin. Une chanson qu’il vaut mieux comprendre, en somme, avant d’entamer toute danse nuptiale… SPANDAU BALLET – True 30 Les “Nouveaux Romantiques” sont londoniens. Il livrent, en 1983, un vibrant hommage au chanteur Soul Marvin Gaye. SIMPLY RED – If You Don’t Know Me 31 Une reprise qui rencontrera un plus grand succès que la première interprétation enregistrée en 1972 par Harold Melvin & the Blue Notes. THE CARS – Drive 32 Ric Ocasek et ses acolytes distillaient une new wave qui fit sensation lors du concert humanitaire Live Aid de 1985. De ce concert, cette magnifique ballade sortait du lot et elle deviendra leur plus grand succès. THE KORGIS – Everybody’s Got To Learn Sometime 33 L’unique succès du groupe, composé en quelques minutes par un James Waren davantage attiré par le chant et la méditation que par le piano. Et pourtant … TRACY CHAPMAN – Baby Can I Hold You 34 … ZZ TOP – Rough Boy 35 Une ballade puissante et redoutablement efficace des trois texans qui, en 1985, surfait toujours sur le succès du génial album nommé “Eliminator”. Slow Année 80 La sélection de Quel-DJ A voir également Notre sélection de slows des années 60 Les slows incontournables des années 70 50 slows francais qui ont marqué la musique Le romantisme à l’italienne en 10 chansons cultes Musique des Années 80 pour faire la fête! Slow Année 80

Releasedin 1989, "Right Here Waiting For You" was written by Richard Marx and was his best selling and most covered single. He wrote it as a love letter to his wife, Cynthia Rhodes - the actress who played Penny in Dirty Dancing. This is a great intermediate practice piece, often reaching into the higher notes. Letter notes below, enjoy :) G

➕ S'abonner ➕ Souscrire ✔ Abonné ✔ Souscrire Partager SUMMARYOur guest on this episode of Songcraft is Richard Marx, who is best known for writing and recording hits such as “Don’t Mean Nothing,” “Hold on to the Nights” and “Right Here Waiting.” But that’s only part of the story. As a songwriter, Marx has written 1 hits for other artists, ranging from Kenny Rogers to Josh Groban to NSYNC to Keith Urban. He’s sold more than 30 million albums as an artist, earned the Grammy Song of the Year as a writer, and, with the publication of his new memoir on July 6th, is now an author with many amazing stories to ONEScott and Paul talk about the new Songcraft T-shirts, and wonder if Richard Marx is perhaps in an elite club whose only other members are the Bee TWOOur in-depth conversation with Richard MarxABOUT RICHARD MARXGrammy-winning performer Richard Marx has sold more than 30 million albums as an artist, but if you only know him from late 1980s ballads such as “Hold on to the Nights” and “Right Here Waiting,” you only know part of the story. A prolific songwriter, Marx has landed fourteen songs at the top of various Billboard charts, and has written a 1 single in each of the last four decades. His genre-crossing songwriting success includes “What About Me” and “Crazy,” which Kenny Rogers carried to the top of the Adult Contemporary and Country charts, respectively; “Edge of a Broken Heart,” a hit for the female metal band Vixen; “This I Promise You,” a Top 5 pop single for NSYNC that stayed at 1 on the Adult Contemporary Chart for 13 weeks; Josh Groban’s debut single “To Where You Are,” which also reached 1; and “Dance With My Father,” which Richard wrote with the song’s performer, Luther Vandross, and which earned the pair the prestigious Grammy Song of the Year award in 2004. Additionally, Richard has scored three major hits with Keith Urban the Top 5 “Everybody,” and the 1 singles “Better Life” and “Long Hot Summer.”Despite all his songwriting success, however, Marx is best known as a singer and performer who today jokes about his 80s hairstyle and of-the-era drum sounds. But the songs are undeniable, all of which Marx wrote and produced himself. His debut self-titled album yielded four Top 5 singles “Don’t Mean Nothing,” “Should’ve Known Better,” “Endless Summer Nights,” and “Hold on to the Nights.” His follow-up, 1989’s Repeat Offender, was even more successful, going quadruple-platinum and earning two number one Billboard pop singles, “Satisfied” and “Right Here Waiting,” in addition to the Top 5 “Angelina.” More hits followed, including “Keep Coming Back,” “Hazard,” “Take This Heart,” “Now and Forever,” and “Until I Find You Again.”In addition, Richard’s songs have been integral to a number of successful film soundtracks. He earned a Grammy nomination for his contributions to St. Elmo’s Fire; scored a Top 10 pop hit with “Surrender to Me,” which Ann Wilson of Heart and Robin Zander of Cheap Trick recorded for the movie Tequila Sunrise, and wrote “At the Beginning,” a hit duet for the film Anastasia that Richard performed with Donna the course of his career, Richard’s songs have been recorded by Barbra Streisand, The Tubes, Sarah Brightman, Monica, Natalie Cole, Michael Bolton, Paulina Rubio, Emerson Drive, Chicago, Billy Ray Cyrus, Vince Gill, Kenny Loggins, LeAnn Rimes, Celine Dion, Julio Iglesias, Berry Manilow, Daughtry, Vertical Horizon, Lifehouse, Dave Koz, Jennifer Nettles, Ringo Starr, and many memoir, Stories to Tell, is available July 6 from Simon & Shuster. 216 episodes

RichardMarx - Right Here Waiting (Official Music Video) 399,899,568 views Feb 26, 2009 2.2M Dislike Richard Marx 955K subscribers REMASTERED IN HD! Official Music Video for Right Here

This cover image released by Simon & Schuster shows "Stories to Tell," a memoir by Richard Marx. Simon & Schuster via APThis cover image released by Simon & Schuster shows "Stories to Tell," a memoir by Richard Marx. Simon & Schuster via APNEW YORK AP — Richard Marx likes to gently mess with the minds of whoever comes to see his solo start playing a Keith Urban or a Lionel Ritchie song and look out to see the reaction. “If it’s a couple, I’ll see one of them look at the other with this face like, You’re kidding me. He wrote that?’”Then hits from his career will tumble out “Right Here Waiting,” “Should Have Known Better,” “Don’t Mean Nothing,” “Hold On to the Nights,” “Take This Heart,” “Hazard” and “Angelia.” “And they’ll go, Oh, my God. He did that, too? Like, really? Seriously?’” says Marx. “On my part, there’s a subtle attempt to connect all the dots.”If you’ve not yet seen Marx in concert, he’s offering a written version with his new memoir “Stories to Tell,” a series of anecdotes from a singer-songwriter who has rubbed shoulders with — and supplied songs to — music Rogers, Whitney Houston, Madonna, Barbra Streisand, Burt Bacharach, NSYNC, Julio Iglesias, Josh Groban, Hugh Jackman, Kenny Loggins, Luther Vandross, Paul Anka, SHeDAISY, Philip Bailey and James Ingram — all make cameo appearances in Marx’s life and career. He reveals beefs with Brad Paisley, Clive Davis and Night Ranger and a crush on Olivia Newton-John. He made a Vixen song sound better with a little sonic trickery — adding someone else’s guitar solo — and watched in horror as his band was held at gunpoint in Taipei.“I have got so many — somewhere between interesting and hilarious — things that have happened in the background of my career,” he says by phone from the Los Angeles home he shares with his wife, Daisy Fuentes.“At the end of the day, I want people to feel the same things I want them to feel about my show — that you feel like you get to know me a little bit.”“Stories to Tell” is ultimately the tale of a supremely talented, instinctual songwriter who rode the wave of MTV fame for a decade or so and then, when the heat dissipated, reinvented himself as a producer and songwriter for others.“It was just about 10 years straight where everything I put out had success. And then I put out a record that I joked went double plywood instead of double platinum,” he says. “It just was like a signal that everything had shifted from me in my career. I remember thinking, What did I do wrong?’”He says it took a year for him to grasp the change. “I started to think, Well, you know what? I had a really great turn for about 10 years. And it’s not my turn now. It’s somebody else’s turn.’” He was still in his 30s and “had a ton of music left” in him. “I’ll make it with other people,” he concluded. That shift also freed him up to be a very present father to his three over his career has had 14 No. 1 songs as a writer — one in each of four different decades. He and Vandross’ “Dance With My Father” won the 2004 Grammy for Song of the Year. He’s written or performed hits on Billboard’s country, adult contemporary, mainstream rock, holiday and pop charts. Starting out as a versatile background singer, he got his big break when Lionel Richie heard a tape of his songs and invited Marx to help him with his solo albums. You can hear a teenage Marx on such hits as “All Night Long” and “Running with the Night.”That led to him writing songs with Rogers and then writing or singing for a slew of stars before the release of Marx’s own 1987 self-titled debut album, which would go double platinum. The book’s publication is timed to the release of a two-disc companion album with remastered versions of his biggest hits plus demos, live tracks and fresh interpretations of songs he has written for other through the book is Marx’s conviction that he has an almost mystical ability to attract and befriend superstars, something that first happened at age 5 when he met Davy Jones of The Monkees. As he writes “I’ve always had the ability to will people into my path.”Readers get lots of stories about Marx’s collaborators and how he comes up with songs from a man who has steered clear of embarrassing, self-destructive scandal.“He hasn’t lived a life that is deserving of VH1 Behind the Music.’ It’s been pretty even-keeled,” said Sean Manning, his editor at Simon & Schuster. “But I think that he is a master craftsman. That’s what I was really intrigued by — how he does what he does.”Marx in recent years has become a social media phenomenon, enchanting fans by wittily snapping back at trolls and intolerance. In June, when a guy got on Twitter to tell Marx that his pronouns should be “has/been,” Marx actually agreed “I started writing hit songs at age nineteen and the money has been’ rolling in ever since.”It was his humor, fearlessness, authenticity and self-awareness that led Manning to reach out to Marx just as the pandemic was gripping the nation. Luckily, Marx had already written some pages, based on the anecdotes he offers on stage. “He’s the first one that will make fun of himself,” said Manning. “He doesn’t wait for anyone to do that. And I think that’s where you do relate to him. He doesn’t take himself so seriously, which I found incredibly refreshing.”Readers of “Stories to Tell” will find a more gentle style than his sharp-elbowed Twitter tone. He says he’s a private person and was never going to write a tell-all book with incendiary details.“On Twitter, if I’m dealing with an issue that’s racist or bigoted, there’s no holding back. I’m going to blast it. And if someone’s coming after me, I’m going to respond as you can see,” he says. But a book is another matter “They’re just two completely different animals.”Marx in real life comes across as that unusual creature in the music business — grounded, fair and happy. He’s a Midwestern guy who quickly thanks his parents and people early in his life for not allowing him to come out any other way. Finally, he is asked if he could pick one thing for people to take away from the book. “That I’m taller than they think,” he says, laughing. ”But the answer is actually gratitude.”___Mark Kennedy is on Twitter as KennedyTwits

^{Voustrouverez ci-dessous les paroles , la vidéo musicale et la traduction de Right Here Waiting - Richard Marx dans différentes langues. La vidéo musicale avec la piste audio de la chanson commence automatiquement en bas à droite. Pour améliorer la traduction, vous pouvez suivre ce lien ou appuyer sur le bouton bleu en bas. Right Here Waiting. Nous vous présentons les} ^{Edit Richard Marx Right Here Waiting 1989 Music Video Full Cast & Crew Directed by James Yukich Cast in credits order Produced by Paul Flattery ... producer Music by Richard Marx ... music by Cinematography by Edmund Cupcupin Toby Phillips Camera and Electrical Department Patrick Melly ... gaffer Lee Rose ... lighting designer Recently Viewed}

RightHere Waiting - Richard Marx. Skip to main content. Due to a planned power outage on Friday, 1/14, between 8am-1pm PST, some services may be impacted. A line

^{RightHere Waiting è un brano scritto e interpretato da Richard Marx, contenuto nell'album Repeat Offender pubblicato nel 1989. Secondo lavoro in studio per il cantautore di Chicago, si rivela il suo più grande successo commerciale e l'unico della sua carriera ad aver raggiunto la vetta della prestigiosa Billboard 200. La canzone è il secondo singolo estratto dal disco e}

RightHere Waiting Single by Richard Marx from the album Repeat Offender B-side "Hold on to the Nights (Live at the Palace Theatre)" Released July 5, 1989 Format 7" single, CD single, cassette Recorded February 11, 1989 (Magic Record Studios, Salt Lake City) Genre Soft Rock Length 4:24 Label EMI Writer(s) Richard Marx Producer Richard Marx, David Cole

Whereveryou go, whatever you do. I will be right here waiting for you. Whatever it takes or how my heart breaks. I will be right here waiting for you. [Verse 2] I took for granted, all the times Découvrezles 102 disques en vente de l'album Right here waiting de Richard Marx sur CDandLP au format Vinyle et CD

Righthere waiting - single edit Lyrics: Oceans apart day after day / And I slowly go insane / I hear your voice on the line / But it doesn't stop the pain / If I see you next to never / How can

RichardMarx - Right Here Waiting. Richard Marx. 4:30. Richard Marx - Endless Summer Nights. Richard Marx. 1:05. i SQUARE - Photoshoot Sizzle. i SQUARE. 3:46. Ringo Starr & His All Starr Band - .